If it’s a chapter with heavy dialogue, it can get confusing for the listener if you’re reading all of the characters in exactly the same tone, timbre, pitch or accent. When you’re only using your voice, you’ve got to get creative when changing between characters. If you have time, highlight these points throughout the book so they aren’t surprises when you get to them in the studio. Also, think about tactical snatch breaths in places which don’t break up the flow of the sentence. These are hard to get your head around and extremely difficult to read in one breath. Books aren’t usually written to be read out loud, meaning there might be some long compound sentences. There are lots of videos on YouTube and ‘ how to’ articles online, and it’s an invaluable skill when preparing for an audiobook job. If, like me, you’re a naturally slow reader, I would encourage you to learn some speed-reading techniques. Even if you’re given a short amount of time to prepare for the recording, it’s important to carve out time to read the book as many times as possible beforehand. Reading the book you’re going to narrate seems obvious, but it cannot be stressed enough. It requires focus beyond anything I’ve ever experienced, but challenges are what keep us on our toes, and audiobook narration can be a hugely rewarding experience. It’s hard to become an audiobook narrator, and not just anyone can do it without the correct preparation and skillset. However, in my experience, audiobooks are the most challenging form of acting work. It offers the opportunity to play a huge range of characters stretching far beyond your usual casting, and allows for plenty of experimentation with your voice. Skills needed to become an audiobook reader and 11 top tips to prepare for an audiobook narration job
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